| The Front Porch | Back Porch |
||
|
[POST A REPLY ]
[RETURN TO FRONT PORCH ]
[NEXT ]
|
|
| Author: | ZRyan |
| E-mail: | not available |
| Date: | 2/12/2004 7:34:41 PM |
| Subject: | ...of things destined and promised... |
| Message: | A poem for my parents and the Porch. I hope it's not inappropriate to post this. The Big Bands: Liberal, Kansas, Summer of 1955 by B. H. Fairchild They were supposed to be dead, but they kept coming, shunned by the cities but lunging into the gloom of the outer counties, they kept moving along two-lane highways on huge Greyhounds or night trains destined for small towns without airports: Elk City, Medicine Lodge, La Grange, Minneola, Meade, Cimarron. After the year of troubles--the family business drowning in red, the broken plates, black words, slammed doors, my mother and father in seperate rooms, the terrible silence that grew like a clutch of weeds choking the little house-- after this, the summer came, the white skies, long evenings unfolding like dark scarves tumbling to earth, mimosa blooms floating from branches pummeled by baseballs in the side yard, and they kept coming, the swing bands, the big bands, those soft oceans of trombones and saxophones, of Les Brown, Harry James, Kay Kaiser, Dorsey, and other priests of music bound for Liberal, Kansas in the summer of 1955 II The green Packard I have just washed dries by the curb, and the evening sun makes a bronze plunder of brick streets. Cottonwood branches grown too low loom and whisper. Cicadas begin to pulse, raucous miracles, a chorus of things destined, of things promised and given, while I wait on the front step watching the sun melt and ooze over the car hood until the bumper's chrome turns gold and the whole show suggests Fred Astaire and Ginger Rogers gliding through the front door to a dreamy trumpet fanfare. They walk out smiling and awkward, my father stiff in his brown suit, hand at my mother's elbow as she, a woman I have never seen, leans against him. As they step shyly toward the car, a thick warm sadness lifts from the grass, lifts and pours over them in a kind of silver haze until they seem luminous, El Greco-like. The street lamps make shadows like black roses on the pavement. My parents wave. The Packard rumbles and pulls away. III I peek through a window of the Five-State Fair Exhibition Hall and smile at the obsolete dance steps, the surprise of elegance, a kind of embarrassed elan and quaint formality from this man normally bent over a machine lathe knee-deep in iron shavings, this woman whose place was an ironing board or sink, her hair pasted to neck and cheek. But now her hand is delicate and light upon his shoulder, their modest steps hardly visible, and behind them, a 16-piece orchestra of boutonnieres and white dinner jackets innocent as choral robes gleams in brass and silver, and the blonde singer in what seems like a gesture of worship embraces the air. This, in a building where gigantic squash and cucumbers had been displayed and where now my parents ease among a gathering of farmers and roustabouts swathed in a gauze of music, memorable as statues, in love again with "Cherokee" and "Stardust" and "Mood Indigo." IV It must have been this way before the war. I think of my uncle Harry dancing soft-shoe while holding a gin and tonic in one hand and quoting lines from Double Indemnity, my mother and her sisters doing their Andrews Sisters imitation, my father and uncles passing around a bottle of Southern Comfort and swapping lies. It all comes back to me at midnight as couples spill from the hall, clutching their signed photographs of Sammy Kaye and Chris Connor, their empty bottles of champagne saved as souvenirs. And there, among the last to leave, are my parents moving slowly, seemingly lithe and moon-laden under the field light like celebrities stepping from flash bulbs and limousines. I follow them along the gravel path where the tree branches are loosening the starlight and letting the lamps from the adjoining fairground splash and litter the hoods of departing cars. The last to emerge are the musicians. They are much older than I imagined. They are weary, lugging their horns and flipping their last cigarettes like shooting stars through the enveloping shadows. Their talk has a slow, easy familiarity, the talk of men on a long journey accustomed to the ritual graces, the beginnings and endings, of their trade, and they give themselves finally, in single file, to the big bus rumbling at the edge of the lot, then groaning into gear and slipping through the starlit night. |
|
|
|
...of things destined and promised... by ZRyan at 2/12/2004 7:34:41 PM |
at 2/12/2004 7:58:28 PM |
at 2/15/2004 2:52:23 PM |
|
|